Email Site Author Mark Schumacher Sign Up for Our Free Newsletter on Buddhist Statuary spacer
Follow on Social Media
My Wordpress Buddha Statues Blog Follow Me on Facebook Follow Me on Twitter Follow Me on LinkedIn Follow Me on Youtube Free RSS Buddha News Feed 

Japanese Buddhism, Photo Dictionary of Japan's Shinto and Buddhist DivinitiesRETURN TO TOP PAGE of Japanese Buddhist Statuary A to Z Photo Library & Dictionary of Gods, Goddesses, Shinto Kami, Creatures, and DemonsCopyright and Usage PoliciesJump to Sister Store Selling Handcrafted Buddha Statues from China, Japan, and Asia
top line
spacer


QUICK START
Home: What's New
Buddha's Teaching
History & Timeline
Historical Buddha
Student's Guide
Teacher's Guide

DEITY GUIDES
Who's Who
Buddha
Bodhisattva
Myo-o
Shinto Kami
Shugendo
Stars & Planets
Tenbu (Deva)

OTHER GUIDES
About Site Author
Bibliography
Buddhism in Japan
Busshi Glossary
Carving Techniques
Cycle of Suffering
Drapery / Robes
Mandala Guide
Mudra Guide
Objects Guide
Pilgrimage Guide
Shinto Guide
Statues by Artist
Statues by Era
Symbols Guide
Terminology

A TO Z INDEX
3 Element Stele
3 Monkeys
4 Bosatsu
4 Celestial Emblems
4 Heavenly Kings
5 (Number Five)
5 Elements
5 Tathagata
5 Tier Pagoda
5 Wisdom Kings
6 Jizo (Jizou)
6 Kannon
6 Realms
6 Nara Schools
7 Lucky Gods
7 Nara Temples
8 Legions
8 Zodiac Patrons
10 Kings of Hell
12 Devas
12 Generals
12 Zodiac Animals
13 Butsu (Funerals)
28 Legions
28 Constellations
30 Monthly Buddha
30 Monthly Kami
33 Kannon
About the Author
Agyo
Aizen
Amano Jyaku
Amida Nyorai
Apsaras
Arakan (Rakan)
Arhat (Rakan)
Ashuku Nyorai
Asuka Era Art Tour
Asura (Ashura)
Baku (Eats Dreams)
Bamboo
Benzaiten (Benten)
Bibliography
Big Buddha
Birushana Nyorai
Bishamon-ten
Bodhisattva
Bonbori Artwork
Bosatsu Group
Bosatsu of Mercy
Bosatsu on Clouds
Buddha (Historical)
Buddha Group
Buddha Statues
Busshi (Sculptors)
Calligraphy
Celestial Emblems
Celestial Maidens
Children Patrons
Classifying
Color Red
Confucius
Contact Us
Daibutsu
Daijizaiten
Daikokuten
Dainichi Nyorai
Daruma (Zen)
Datsueba-Hell Hag
Deva (Tenbu)
Donations
Dosojin
Dragon
Drapery (Robes)
Early Buddhism J.
Ebisu
Eight Legions
En no Gyoja
Estores
Family Tree
Footprints of Buddha
Fox (Inari)
Fudo Myo-o
Fugen Bosatsu
Fujin (Wind God)
Fukurokuju
Gakko & Nikko
Gardens
Gigeiten
Godai Nyorai
Goddess of Mercy
Goddesses
Gongen
Gravestones
Hachi Bushu
Hachiman
Hands (Mudra)
Hell (10 Judges)
Hell Hag (Datsueba)
Hell Scrolls
Henge
Hikyu (Lion Beast)
Holy Mountains
Ho-o (Phoenix)
Hotei
Idaten
Inari (Fox)
Ishanaten
Ishidoro/Ishidourou
Jikokuten
Jizo (Jizou)
Jocho Busshi
Juni Shi
Juni Shinsho
Juni Ten
Junrei (Pilgrimage)
Jurojin (Juroujin)
Juzenji (Juuzenji)
Jyaki or Tentoki
Kaikei Busshi
Kamakura Buddhism
Kankiten
Kannon Bosatsu
Kappa
Kariteimo
Karura
Karyoubinga
Kendatsuba
Kichijoten
Kitchen Gods
Kishibojin
Kitsune (Oinari)
Kokuzo Bosatsu
Kojin (Koujin)
Komokuten
Korean Buddhism
Koshin (Koushin)
Lanterns (Stone)
Links
Magatama
Making Statues
Mandara/Mandala
Maneki Neko
Marishiten (Marici)
Miroku Bosatsu
Monju Bosatsu
Monkeys
Moon Lodges
Mother Goddess
Mudra (Hands)
Myoken - Pole Star
Myo-o (Myou-ou)
Nara Era Art Tour
Newsletter Sign-up
Nijuhachi Bushu
Nikko & Gakko
Ninpinin
Nio Protectors
Nyorai Group
Objects & Symbols
Onigawara
Phoenix (Ho-o)
Pilgrimage Guide
Pottery
Protective Stones
Raigo Triad
Raijin (Thunder)
Rakan (Arhat)
Red Clothing
Reincarnation
Robes (Drapery)
Rock Gardens
Sanbo Kojin
Sanno Gongen
Sarutahiko
Sculptors (Busshi)
Seishi Bosatsu
Sendan Kendatsuba
Seven Lucky Gods
Shachi, Shachihoko
Shaka Nyorai
Shape Shifters
Shichifukujin
Shijin (Shishin)
Shinra Myoujin
Shinto Clergy
Shinto Concepts
Shinto Kami
Shinto Main Menu
Shinto Sects
Shinto Shrines
Shishi (Lion)
Shitenno
Shoki (Shouki)
Shomen Kongo
Shotoku Taishi
Shrines
Shugendo
Siddhartha
Six States
Star Deities
Stone Gardens
Stone Graves
Stone Lanterns
Stones (Top Menu)
Suijin (Water)
Symbols & Objects
Tamonten
Taishakuten
Tanuki
Temples
Temple Lodging
Tenbu Group
Tengu
Tennin & Tennyo
Tentoki or Jyaki
Terminology
Tiantai Art Tour
Tibetan Carpets
Tibet Photos
Tibetan Tanka
Transmigration
Ungyo
Unkei Busshi
Videos Buddhism
Water Basin
Weapons
Wheel of Life
Yakushi Nyorai
Yasha (Yaksha)
Zao Gongen
Zen (Daruma)
Zen Art Tour
Zodiac Calendar
Zochoten

 

spacer

spacer


 

7 LUCKY GODS MENU
Intro Page
Benzaiten
Bishamonten
Daikokuten
Ebisu
Fukurokuju
Hotei
Jurōjin

 

 

THIS IS A SIDE PAGE
Return to Main DAIKOKU Page

O-Kuni-Nushi-no-Kami
Ōkuninushi 大国主命

Also known as:
Daikoku God of Wealth and Farmers
DAIKOKU, DAIKOKU-TEN
 God of Wealth, Farmers, Rice, Food, and Kitchen

Ōkuninushi 大国主命, the Shintō kami of abundance, medicine, luck, and happy marriages. In Japanese mythology, Ōkuninushi (lit. = Master of the Great Land) built and ruled the world until the arrival of Amaterasu's grandson, Ninigi-no-Mikoto 瓊瓊杵尊. He then gave political control to Ninigi but retained control of religious affairs. In gratitude, the sun goddess Amaterasu presented Ōkuninushi with the Grand Shrine of Izumo. According to Japanese tradition, all Shintō gods meet in Izumo each year in October. October is thus known around Izumo as Kamiarizuki 神有月 (Month with Gods) and everywhere else in Japan as Kannazuki 神無月 (Month Without Gods).

O-Kuni-Nushi-no-Kami
by Carrie Ferber (University of Wisconsin-Eau Claire)
 www.uwec.edu/philrel/shimbutsudo/O-kuni-nushi.html

The Shinto kami O-Kuni-Nushi-no-Kami is also called Onamochi or O-Mono-Nushi-No-Kami. His name is often translated as "Prince Plenty" or the "Great Landlord" God. The myths about O-Kuni-Nushi come from two primary Japanese sources: the Kojiki (Records of Ancient Matters), written in 712 C.E., and the Nihon Shoki or Nihongi (Chronicles of Japan), written around 720 C.E. Lafcadio Hearn, in Japan: An Attempt at  Interpretation, observes that though these manuscripts are supposed to be histories (and were taken to be such by generations of Japanese), they obviously contain a large amount of mythology. The writings come from an oral tradition passed on for many generations.

O-Kuni-Nushi is known to be a god of abundance, medicine, good sorcery,  and happy marriages. All these are characteristics which are reflected in the  myths about him. O-Kuni-Nushi is the son of Susano-O no Mikoto, the Storm God, who was originally a Sky God, but later was sent to Earth to rule as the High God of Izumo. It is at this shrine that one finds the road to the underworld; therefore Susano-O is also called the God of the Dead. It is with the Princess of Izumo, Kushinada-Hime, or the Wondrous-Inada-Princess, that Susano-O squired a son named O-Kuni-Nushi.

The adventures of O-Kuni-Nushi begin with the legend of  the white hare of Inaba (click on image at left). This hare appeals to the eighty brothers of O-Kuni-Nushi for help. The hare has been skinned by a group of vicious crocodiles, when he asks O-Kuni-Nushi's brothers for help and they tell him to bathe in the sea and to dry off in the wind. This causes severe pain for the Hare. Later, the hare meets O-Kuni-Nushi, who feels sorry for the animal and tells him to bathe in fresh water and then to roll in the pollen of sedges  lying on the ground. After this the Inaba Hare is completely cured. In thanks he proclaims that the Princess Yamato is to go to O-Kuni-Nushi, not to his brothers. His brothers are angry with this and kill O-Kuni-Nushi, which they succeeded in doing, but his mother and the goddess Kami-Musubi manages to  resurrect him (Giraud 409). In this case, the myth of the hare and O-Kuni-Nushi shows the valuable lesson of kindness.

The hare in the story seems to have some special power because he is able to grant Princess Yamato to O-Kuni-Nushi. This suggests the hare may have been another kami in disguise or at least that the hare had an unexpected power over their lives. Therefore, one should not judge others by the outward appearance because you do not know what powers lay inside the creature. This aspect of the myth reflects the idea that one should try to help even those beings that do not seem that important. The eighty brothers may represent the view of society as a whole thinking that something as small as a hare is of no real importance, which results in their making a game out of the hare's painful experience. O-Kuni-Nushi shows that all creatures deserve kindness. The fact that O-Kuni-Nushi's mother saves him also shows the theme that good will prevail over evil.

Lafcadio Hearn, drawing on the Nihongi, retells the story of the relationship between O-Kuni-Nushi and his wife Yamato-toto-hi-momo-so-bime no Mikoto. They were married in the nighttime and Princess Yamato had never seen her husband. She begs him to delay in the morning time so that she may see the majesty of his beauty. O-Kuni-Nushi responds that in the morning he will enter her toilet-case and wait for her and that he hopes she will not be alarmed. Princess Yamato wondered about what this could mean and in the morning she looked into her toilet-case and saw a beautiful snake, about the size of the cord of a garment. This frightened her and caused her to exclaim in shock. O-Kuni-Nushi was ashamed and quickly turned into human form saying to his wife: "Thou didst not contain thyself, but hast caused me shame: I will in turn put thee to shame." After this he ascended Mount Mimoro. Princess Yamato looked up with remorse and fell down onto a chair. Using a chopstick, she stabbed herself and died. She was buried at O-chi, by men during the daytime and by Gods at night, with stone from Mount O-saka (31).

Other traditions have O-Kuni-Nushi being sent straight to the underworld after his brothers tried to kill him in order to avoid their revenge. In the underworld O-Kuni-Nushi met Suseri-Hime, the daughter of the god of the underworld. They were married, but first Susano-O made O-Kuni-Nushi pass three tests. The  first test was to put him to sleep in a room of snakes. O-Kuni-Nushi saves  himself with the scarf that Suseri-Hime gave him. The next night he had to sleep in a room full of centipedes and wasps, but he again used another scarf that Suseri-Hime had given him to protect himself. The final test that Susano-O gives him is to find an arrow, which Susano-O had sent into the middle of a huge meadow. When O-Kuni-Nushi is in the middle of the field, Susano-O set fire to the grass, luckily however; a mouse saves him by showing him an underground  room. The mouse then brings the arrow to O-Kuni-Nushi. O-Kuni-Nushi's success helps Susano-O to feel more at ease with him, so he has O-Kuni-Nushi wash his hair and finally goes to sleep. O-Kuni-Nushi then ties Susano-O's hair to the rafters of the house and with his wife on his back fled. He also took with him Susano-O's sword, bow, arrows, and his Koto (harp). Susano-O is awakened when the Koto brushes against a tree. In the time it took for Susano-O to free his hair, the two were far away. From the slopes of the underworld, Susano-O advises O-Kuni-Nushi, whom he sees in the distance, to use the weapons to fight his brothers, foretelling that O-Kuni-Nushi would conquer them and reign over the world. He also asked O-Kuni-Nushi to make Suseri-Hime his main wife and to build a palace at the foot of Mount Uka.

O-Kuni-Nushi is still worshipped today at the Grand Shrine of Izumo (click on image at right). Originally, it was Susano-O that was the Kami of this shrine, but later it was dedicated to his son O-Kuni-Nushi as well. This is one of the most famous shrines in Japan, celebrating the spirit of  union and compromise. Susano-O, as the brother of Amaterasu, was officially of  the Yamato line. In marrying the Izumo Princess, he helped to bring the two clans together. O-Kuni-Nushi, in turn, married a another Yamato Princess, thus reinforcing the ties between the Izumo and Yamato clans. Many people come here pray to O-Kuni-Nushi, the "Celestial Matchmaker," seeking happiness in love and  marriage. Others ask for increased harmony and understanding within their existing families. The original structure, dating back to the Nara period, once towered some 157 feet high. Its dimensions were drastically reduced in the Kamakura period, and it was reconstructed several times since then. The building which survives today, dating back to 1774, is 82 feet high. Hanging in front is the straw rope called shimenawa, which indicates the sacred area within which the god resides. The shimenawa at Izumo Shrine is one of the largest, measuring 40 feet long and seven feet thick at the widest point.

 


Sources

  • Guirand, Felix. "Japanese Mythology," in New Larousse Encyclopedia of  Mythology. New York: Prometheus Press, 1959.
  • Hearn, Lafcadio. Japan: An Attempt at Interpretation. Richmond,  Vermont: Charles E. Tuttle Company, 1904.

THIS IS A SIDE PAGE
Return to Main Page on Daikoku

spacer
bottom bar

Copyright 1995 - 2013. Mark Schumacher. Email Mark.
All stories and photos, unless specified otherwise, by Schumacher.
www.onmarkproductions.com     |     make a donation

Please do not copy these pages or photos into Wikipedia or elsewhere without proper citation !